How to composit utilizing footage prepared for lens distortion This is an overview on how to treat CG renders and matte paintings so that they fit into place as intended while receiving the necessary level of lens distortion to match the shot plates.
Sporadically the sound quality deteriorates a bit. Apologies.
How to composit utilizing footage prepared for lens distortion
For all those working in the field of VFX know very well how important the proper matching of distortion in the lens compositate scenes that are rendered in CG or matte painting , Tom Magill in this video shows us a comprehensive look at how to handle Lens Distortion . In all the scenes we see realized in post production we always have the presence of the distortion lens , there can be various degrees of distortion of the objective depending on the type of lens used on the set , in fact, it is critical to the compositor know the optics that have been etc used on the set